This final section may be considered a synopsis of the above data - overt and covert - in that it encapsulates a chronology that had to have existed, in order to explain my conclusions firstly of an historical and enduring astral/alien interference in our affairs. Secondly, that AH was a significant pawn in their strategy of mass human energy theft : their prime objective.
I do not know anything of the history and provenance of this painting, except that it is typically - heroically - Wagnerian, and dates from the late 19th century and possibly earlier when first painted. It was obviously in circuation before Hitler and nazism, which makes these pre-emptory covert/subliminal images utterly remarkable. Moreover, a near-exact replica of this painting is to be found hanging on the public walls of modern day Denver municipal airport, Colorado , USA. I have recently reviewed that one only last month. Please take the opportunity to compare both versions with their duplicated overt/covert images. I am also sure you will recognise a fundamental difference with all its implication for humanity : the first picture's human masters have now become mere servants in the second - and somewhat degenerate ones at that. Not a nice message, is it ? Let us begin.
The most significant covert/sublimnal image painted for German Wagnerian romanticism here. You don't yet see it ? It isn't our warrior hero tenderly departing his beloved for sure. Continue.
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